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Dancer and musician in Belur

Author: Krishnan, M.

Keywords: Dancers
India--Karnataka
Musicians Artists

Issue Date: 1992

Publisher: Sangeet Natak Akademi, New Delhi

Description: Present paper is about the different types of historical musical instruments like veena, rudraveena, nagaveena etc. and their development at Belur. Two obsolete types of the instrument are on view at Belur, both hand-held by a female figure and both obviously used, not as accompaniment to the voice, but to provide pure-toned melody by themselves, to the beat of drums - as in veena recitals even today. In this paper describing about the dance figures of the guides.

Source: Sangeet Natak Akademi

Type: Article

Received From: Sangeet Natak Akademi


DC Field Value
dc.contributor.author Krishnan, M.
dc.coverage.spatial Karnataka
dc.date.accessioned 2017-07-09T23:05:12Z
dc.date.available 2017-07-09T23:05:12Z
dc.date.issued 1992
dc.description.abstract Present paper is about the different types of historical musical instruments like veena, rudraveena, nagaveena etc. and their development at Belur. Two obsolete types of the instrument are on view at Belur, both hand-held by a female figure and both obviously used, not as accompaniment to the voice, but to provide pure-toned melody by themselves, to the beat of drums - as in veena recitals even today. In this paper describing about the dance figures of the guides.
dc.source Sangeet Natak Akademi
dc.format.extent 24-35p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Dancers
India--Karnataka
Musicians Artists
dc.type Article
dc.identifier.issuenumber 105-106
dc.format.medium text
DC Field Value
dc.contributor.author Krishnan, M.
dc.coverage.spatial Karnataka
dc.date.accessioned 2017-07-09T23:05:12Z
dc.date.available 2017-07-09T23:05:12Z
dc.date.issued 1992
dc.description.abstract Present paper is about the different types of historical musical instruments like veena, rudraveena, nagaveena etc. and their development at Belur. Two obsolete types of the instrument are on view at Belur, both hand-held by a female figure and both obviously used, not as accompaniment to the voice, but to provide pure-toned melody by themselves, to the beat of drums - as in veena recitals even today. In this paper describing about the dance figures of the guides.
dc.source Sangeet Natak Akademi
dc.format.extent 24-35p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Dancers
India--Karnataka
Musicians Artists
dc.type Article
dc.identifier.issuenumber 105-106
dc.format.medium text