Dancer and musician in Belur
Author: Krishnan, M.
Keywords: Dancers
India--Karnataka
Musicians Artists
Issue Date: 1992
Publisher: Sangeet Natak Akademi, New Delhi
Description: Present paper is about the different types of historical musical instruments like veena, rudraveena, nagaveena etc. and their development at Belur. Two obsolete types of the instrument are on view at Belur, both hand-held by a female figure and both obviously used, not as accompaniment to the voice, but to provide pure-toned melody by themselves, to the beat of drums - as in veena recitals even today. In this paper describing about the dance figures of the guides.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
DC Field | Value |
dc.contributor.author | Krishnan, M. |
dc.coverage.spatial | Karnataka |
dc.date.accessioned | 2017-07-09T23:05:12Z |
dc.date.available | 2017-07-09T23:05:12Z |
dc.date.issued | 1992 |
dc.description.abstract | Present paper is about the different types of historical musical instruments like veena, rudraveena, nagaveena etc. and their development at Belur. Two obsolete types of the instrument are on view at Belur, both hand-held by a female figure and both obviously used, not as accompaniment to the voice, but to provide pure-toned melody by themselves, to the beat of drums - as in veena recitals even today. In this paper describing about the dance figures of the guides. |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 24-35p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Dancers India--Karnataka Musicians Artists |
dc.type | Article |
dc.identifier.issuenumber | 105-106 |
dc.format.medium | text |
DC Field | Value |
dc.contributor.author | Krishnan, M. |
dc.coverage.spatial | Karnataka |
dc.date.accessioned | 2017-07-09T23:05:12Z |
dc.date.available | 2017-07-09T23:05:12Z |
dc.date.issued | 1992 |
dc.description.abstract | Present paper is about the different types of historical musical instruments like veena, rudraveena, nagaveena etc. and their development at Belur. Two obsolete types of the instrument are on view at Belur, both hand-held by a female figure and both obviously used, not as accompaniment to the voice, but to provide pure-toned melody by themselves, to the beat of drums - as in veena recitals even today. In this paper describing about the dance figures of the guides. |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 24-35p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Dancers India--Karnataka Musicians Artists |
dc.type | Article |
dc.identifier.issuenumber | 105-106 |
dc.format.medium | text |