Eduard Hanslick's aesthetics of music and the concept of Nada-Brahman
Author: Ray, Sitansu
Keywords: Music--Philosophy and aesthetics
Musical aesthetics
Issue Date: 1978
Publisher: Sangeet Natak Akademi, New Delhi
Description: Present paper described the views of Eduard Hanslick who is the staunch autonomist denying the relationship of music, with human feelings and emotions, or with nature. He believes and preaches that music is nothing but human emotions expressed in the medium of sound, or rather it is a more improved stage of the vocables we use in our everyday speech.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
DC Field | Value |
dc.contributor.author | Ray, Sitansu |
dc.date.accessioned | 2017-06-19T10:48:59Z |
dc.date.available | 2017-06-19T10:48:59Z |
dc.date.issued | 1978 |
dc.description.abstract | Present paper described the views of Eduard Hanslick who is the staunch autonomist denying the relationship of music, with human feelings and emotions, or with nature. He believes and preaches that music is nothing but human emotions expressed in the medium of sound, or rather it is a more improved stage of the vocables we use in our everyday speech. |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 57-66 p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Music--Philosophy and aesthetics Musical aesthetics |
dc.type | Article |
dc.identifier.issuenumber | 49 |
dc.format.medium | text |
DC Field | Value |
dc.contributor.author | Ray, Sitansu |
dc.date.accessioned | 2017-06-19T10:48:59Z |
dc.date.available | 2017-06-19T10:48:59Z |
dc.date.issued | 1978 |
dc.description.abstract | Present paper described the views of Eduard Hanslick who is the staunch autonomist denying the relationship of music, with human feelings and emotions, or with nature. He believes and preaches that music is nothing but human emotions expressed in the medium of sound, or rather it is a more improved stage of the vocables we use in our everyday speech. |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 57-66 p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Music--Philosophy and aesthetics Musical aesthetics |
dc.type | Article |
dc.identifier.issuenumber | 49 |
dc.format.medium | text |