Government of IndiaThe evolution of rasas in Indian literature
Author: Krishnamoorthy, K.
Keywords: Rasas in literature
Indic literature
Rasas
Issue Date: 1985
Publisher: Sangeet Natak Akademi, New Delhi
Description: When tracing the beginnings and origins of the Indian fine arts and belles lettres, scholars naturally turn to the Vedic springs and to incidental references in the Vedangas like Siksa, Vyakarana, Nirukta and Chandas, Even in the pre-Vedic Mohenjodaro civilization, scholars might find some crude manifestations of dance and music. But in the plethora of academic controversies about chronology, racial minutiae and cultural milieu, the spirit or vital essence of our cultural heritage is missed, more often than not. Hence in this study, an attempt is made to disengage the essence of Indian poetry and dance from representative illustrations, drawn from original sources, steering clear of pedantic discusssions.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Krishnamoorthy, K. |
| dc.date.accessioned | 2017-06-21T11:32:23Z |
| dc.date.available | 2017-06-21T11:32:23Z |
| dc.date.issued | 1985 |
| dc.description.abstract | When tracing the beginnings and origins of the Indian fine arts and belles lettres, scholars naturally turn to the Vedic springs and to incidental references in the Vedangas like Siksa, Vyakarana, Nirukta and Chandas, Even in the pre-Vedic Mohenjodaro civilization, scholars might find some crude manifestations of dance and music. But in the plethora of academic controversies about chronology, racial minutiae and cultural milieu, the spirit or vital essence of our cultural heritage is missed, more often than not. Hence in this study, an attempt is made to disengage the essence of Indian poetry and dance from representative illustrations, drawn from original sources, steering clear of pedantic discusssions. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 14-27p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Rasas in literature Indic literature Rasas |
| dc.type | Article |
| dc.identifier.issuenumber | 75 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Krishnamoorthy, K. |
| dc.date.accessioned | 2017-06-21T11:32:23Z |
| dc.date.available | 2017-06-21T11:32:23Z |
| dc.date.issued | 1985 |
| dc.description.abstract | When tracing the beginnings and origins of the Indian fine arts and belles lettres, scholars naturally turn to the Vedic springs and to incidental references in the Vedangas like Siksa, Vyakarana, Nirukta and Chandas, Even in the pre-Vedic Mohenjodaro civilization, scholars might find some crude manifestations of dance and music. But in the plethora of academic controversies about chronology, racial minutiae and cultural milieu, the spirit or vital essence of our cultural heritage is missed, more often than not. Hence in this study, an attempt is made to disengage the essence of Indian poetry and dance from representative illustrations, drawn from original sources, steering clear of pedantic discusssions. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 14-27p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Rasas in literature Indic literature Rasas |
| dc.type | Article |
| dc.identifier.issuenumber | 75 |
| dc.format.medium | text |
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