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The growth of Oriya drama and theatre

Author: Panigrahi, Kalindi Charan

Keywords: Oriya drama
Oriya literature

Issue Date: 2004

Publisher: Sangeet Natak Akademi, New Delhi

Description: Present article is discussed and compared about the changes of Oriya drama and theatre from ancient to modern time and sheds some light on the development of Oriya theatre in the modern time by research on it and finds that happy sign that the public is now sympathetic and more active to joining hands with artists in building up a modern theatre a truly national theatre which, crowned with the glories of the past, must provide inspiration and joy at the present hour and create a radiant dawn tomorrow.

Source: Sangeet Natak Akademi

Type: Article

Received From: Sangeet Natak Akademi


DC Field Value
dc.contributor.author Panigrahi, Kalindi Charan
dc.coverage.spatial Orissa
dc.date.accessioned 2017-07-11T21:10:42Z
dc.date.available 2017-07-11T21:10:42Z
dc.date.issued 2004
dc.description.abstract Present article is discussed and compared about the changes of Oriya drama and theatre from ancient to modern time and sheds some light on the development of Oriya theatre in the modern time by research on it and finds that happy sign that the public is now sympathetic and more active to joining hands with artists in building up a modern theatre a truly national theatre which, crowned with the glories of the past, must provide inspiration and joy at the present hour and create a radiant dawn tomorrow.
dc.source Sangeet Natak Akademi
dc.format.extent 90-97 p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Oriya drama
Oriya literature
dc.type Article
dc.identifier.issuenumber 2
dc.identifier.volumenumber 38
dc.format.medium text
DC Field Value
dc.contributor.author Panigrahi, Kalindi Charan
dc.coverage.spatial Orissa
dc.date.accessioned 2017-07-11T21:10:42Z
dc.date.available 2017-07-11T21:10:42Z
dc.date.issued 2004
dc.description.abstract Present article is discussed and compared about the changes of Oriya drama and theatre from ancient to modern time and sheds some light on the development of Oriya theatre in the modern time by research on it and finds that happy sign that the public is now sympathetic and more active to joining hands with artists in building up a modern theatre a truly national theatre which, crowned with the glories of the past, must provide inspiration and joy at the present hour and create a radiant dawn tomorrow.
dc.source Sangeet Natak Akademi
dc.format.extent 90-97 p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Oriya drama
Oriya literature
dc.type Article
dc.identifier.issuenumber 2
dc.identifier.volumenumber 38
dc.format.medium text