Government of IndiaHindi drama
Author: Mathur, J. C.
Keywords: Hindi drama
Hindi literature
Issue Date: 2004
Publisher: Sangeet Natak Akademi, New Delhi
Description: This paper describes the role and significance of Hindi drama that must be conceived and executed as the imaginative reflection of experience. A factual and superficially authentic depiction of actuality will be reduced to a series of monotonous economical. The more Hindi drama turns to the genuine experience of our dynamic life, and for development of Hindi drama should use the technique of imaginative coloring and poetic expression.
Description: The First Drama Seminar (II): New Delhi, 1956
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Mathur, J. C. |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-11T20:45:00Z |
| dc.date.available | 2017-07-11T20:45:00Z |
| dc.description | The First Drama Seminar (II): New Delhi, 1956 |
| dc.date.issued | 2004 |
| dc.description.abstract | This paper describes the role and significance of Hindi drama that must be conceived and executed as the imaginative reflection of experience. A factual and superficially authentic depiction of actuality will be reduced to a series of monotonous economical. The more Hindi drama turns to the genuine experience of our dynamic life, and for development of Hindi drama should use the technique of imaginative coloring and poetic expression. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 02-17 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Hindi drama Hindi literature |
| dc.type | Article |
| dc.identifier.issuenumber | 3 |
| dc.identifier.volumenumber | 38 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Mathur, J. C. |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-11T20:45:00Z |
| dc.date.available | 2017-07-11T20:45:00Z |
| dc.description | The First Drama Seminar (II): New Delhi, 1956 |
| dc.date.issued | 2004 |
| dc.description.abstract | This paper describes the role and significance of Hindi drama that must be conceived and executed as the imaginative reflection of experience. A factual and superficially authentic depiction of actuality will be reduced to a series of monotonous economical. The more Hindi drama turns to the genuine experience of our dynamic life, and for development of Hindi drama should use the technique of imaginative coloring and poetic expression. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 02-17 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Hindi drama Hindi literature |
| dc.type | Article |
| dc.identifier.issuenumber | 3 |
| dc.identifier.volumenumber | 38 |
| dc.format.medium | text |
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