The historical dialectic between classical music and dance in India
Author: Subramaniam, V.
Keywords: Hindustani music
India
Music--South Asia
Dance
Issue Date: 1993
Publisher: Sangeet Natak Akademi, New Delhi
Description: This trend was also supported by the substantial amount of empirical research material that was available. In contrast to this, in India, the general tendency to ascribe a religious connection to things artistic was buttressed by Ananda Coomaraswamy's zeal to equate religion and art. While this effectively dempned attempts at sociological explanation. The Marxist efforts did no better with their atl3Cb merit to orthodox ideas of commodification of art and suchlike. Sociological explanation of developments in art is just beginning in India.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
DC Field | Value |
dc.contributor.author | Subramaniam, V. |
dc.date.accessioned | 2017-07-10T01:40:12Z |
dc.date.available | 2017-07-10T01:40:12Z |
dc.date.issued | 1993 |
dc.description.abstract | This trend was also supported by the substantial amount of empirical research material that was available. In contrast to this, in India, the general tendency to ascribe a religious connection to things artistic was buttressed by Ananda Coomaraswamy's zeal to equate religion and art. While this effectively dempned attempts at sociological explanation. The Marxist efforts did no better with their atl3Cb merit to orthodox ideas of commodification of art and suchlike. Sociological explanation of developments in art is just beginning in India. |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 22-30p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Hindustani music India Music--South Asia Dance |
dc.type | Article |
dc.identifier.issuenumber | 110 |
dc.format.medium | text |
DC Field | Value |
dc.contributor.author | Subramaniam, V. |
dc.date.accessioned | 2017-07-10T01:40:12Z |
dc.date.available | 2017-07-10T01:40:12Z |
dc.date.issued | 1993 |
dc.description.abstract | This trend was also supported by the substantial amount of empirical research material that was available. In contrast to this, in India, the general tendency to ascribe a religious connection to things artistic was buttressed by Ananda Coomaraswamy's zeal to equate religion and art. While this effectively dempned attempts at sociological explanation. The Marxist efforts did no better with their atl3Cb merit to orthodox ideas of commodification of art and suchlike. Sociological explanation of developments in art is just beginning in India. |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 22-30p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Hindustani music India Music--South Asia Dance |
dc.type | Article |
dc.identifier.issuenumber | 110 |
dc.format.medium | text |