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The historical dialectic between classical music and dance in India

Author: Subramaniam, V.

Keywords: Hindustani music
India
Music--South Asia
Dance

Issue Date: 1993

Publisher: Sangeet Natak Akademi, New Delhi

Description: This trend was also supported by the substantial amount of empirical research material that was available. In contrast to this, in India, the general tendency to ascribe a religious connection to things artistic was buttressed by Ananda Coomaraswamy's zeal to equate religion and art. While this effectively dempned attempts at sociological explanation. The Marxist efforts did no better with their atl3Cb merit to orthodox ideas of commodification of art and suchlike. Sociological explanation of developments in art is just beginning in India.

Source: Sangeet Natak Akademi

Type: Article

Received From: Sangeet Natak Akademi


DC Field Value
dc.contributor.author Subramaniam, V.
dc.date.accessioned 2017-07-10T01:40:12Z
dc.date.available 2017-07-10T01:40:12Z
dc.date.issued 1993
dc.description.abstract This trend was also supported by the substantial amount of empirical research material that was available. In contrast to this, in India, the general tendency to ascribe a religious connection to things artistic was buttressed by Ananda Coomaraswamy's zeal to equate religion and art. While this effectively dempned attempts at sociological explanation. The Marxist efforts did no better with their atl3Cb merit to orthodox ideas of commodification of art and suchlike. Sociological explanation of developments in art is just beginning in India.
dc.source Sangeet Natak Akademi
dc.format.extent 22-30p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Hindustani music
India
Music--South Asia
Dance
dc.type Article
dc.identifier.issuenumber 110
dc.format.medium text
DC Field Value
dc.contributor.author Subramaniam, V.
dc.date.accessioned 2017-07-10T01:40:12Z
dc.date.available 2017-07-10T01:40:12Z
dc.date.issued 1993
dc.description.abstract This trend was also supported by the substantial amount of empirical research material that was available. In contrast to this, in India, the general tendency to ascribe a religious connection to things artistic was buttressed by Ananda Coomaraswamy's zeal to equate religion and art. While this effectively dempned attempts at sociological explanation. The Marxist efforts did no better with their atl3Cb merit to orthodox ideas of commodification of art and suchlike. Sociological explanation of developments in art is just beginning in India.
dc.source Sangeet Natak Akademi
dc.format.extent 22-30p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Hindustani music
India
Music--South Asia
Dance
dc.type Article
dc.identifier.issuenumber 110
dc.format.medium text