Government of IndiaKeshavrao Bhole: excerpts from his mazhe sangeet
Keywords: Bhole, Keshavrao, (1896-1967)
Composers
Musicians
Issue Date: 1991
Publisher: Sangeet Natak Akademi, New Delhi
Description: Keshav Vaman Bhole also known as Keshavrao Bhole, was a well-known music composer and critic in Indian cinema. He was admitted to Prabhat Film Company as a music composer. his works includes Amrit Manthan (1934), Sant Tukaram (1936), Kunku/Duniya Na Mane (1937) etc. As a critique, he wrote under the pseudonyms 'Ekalavya' and 'Suddha Saranga'. Present article is dealing with the film Amritamanthan, 1934 and Sant Tukaram, 1936. They have been chosen and annotated very much in terms of a subsequent history, as an early and directed precedent to problems being faced today by film-maker and music directors.
Description: translated and annotated by Ashish Rajadhyaksha
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.date.accessioned | 2017-07-12T23:34:48Z |
| dc.date.available | 2017-07-12T23:34:48Z |
| dc.description | translated and annotated by Ashish Rajadhyaksha |
| dc.date.issued | 1991 |
| dc.description.abstract | Keshav Vaman Bhole also known as Keshavrao Bhole, was a well-known music composer and critic in Indian cinema. He was admitted to Prabhat Film Company as a music composer. his works includes Amrit Manthan (1934), Sant Tukaram (1936), Kunku/Duniya Na Mane (1937) etc. As a critique, he wrote under the pseudonyms 'Ekalavya' and 'Suddha Saranga'. Present article is dealing with the film Amritamanthan, 1934 and Sant Tukaram, 1936. They have been chosen and annotated very much in terms of a subsequent history, as an early and directed precedent to problems being faced today by film-maker and music directors. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 49-63 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Bhole, Keshavrao, (1896-1967) Composers Musicians |
| dc.type | Article |
| dc.identifier.issuenumber | 100 |
| dc.format.medium | text |
| dc.contributor.translator | Rajadhyaksha, Ashish |
| DC Field | Value |
| dc.date.accessioned | 2017-07-12T23:34:48Z |
| dc.date.available | 2017-07-12T23:34:48Z |
| dc.description | translated and annotated by Ashish Rajadhyaksha |
| dc.date.issued | 1991 |
| dc.description.abstract | Keshav Vaman Bhole also known as Keshavrao Bhole, was a well-known music composer and critic in Indian cinema. He was admitted to Prabhat Film Company as a music composer. his works includes Amrit Manthan (1934), Sant Tukaram (1936), Kunku/Duniya Na Mane (1937) etc. As a critique, he wrote under the pseudonyms 'Ekalavya' and 'Suddha Saranga'. Present article is dealing with the film Amritamanthan, 1934 and Sant Tukaram, 1936. They have been chosen and annotated very much in terms of a subsequent history, as an early and directed precedent to problems being faced today by film-maker and music directors. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 49-63 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Bhole, Keshavrao, (1896-1967) Composers Musicians |
| dc.type | Article |
| dc.identifier.issuenumber | 100 |
| dc.format.medium | text |
| dc.contributor.translator | Rajadhyaksha, Ashish |
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