

Calligraphy
Keywords: Manuscript
Calligraphy
Publisher: National Museum, New Delhi
Description: The Persian verses are written in Nastaliq characters as a specimen of calligraphy. Sar-i-Lauh (head side of the Qita) has an artistic beauty and the margins are decorated with two colourful panels on both sides each having one hemstitch.
Type: Manuscript
Received From: National Museum, New Delhi
DC Field | Value |
dc.date.accessioned | 2020-10-31T10:43:06Z |
dc.date.available | 2020-10-31T10:43:06Z |
dc.description | The Persian verses are written in Nastaliq characters as a specimen of calligraphy. Sar-i-Lauh (head side of the Qita) has an artistic beauty and the margins are decorated with two colourful panels on both sides each having one hemstitch. |
dc.format.extent | 1 folio |
dc.format.mimetype | image/jpg |
dc.language.iso | Persian |
dc.publisher | National Museum, New Delhi |
dc.subject | Manuscript Calligraphy |
dc.type | Manuscript |
dc.identifier.accessionnumber | 57.88/7 |
dc.format.medium | image |
dc.format.material | Ink, Paper |
dc.contributor.translator | Mohd. Murad |
DC Field | Value |
dc.date.accessioned | 2020-10-31T10:43:06Z |
dc.date.available | 2020-10-31T10:43:06Z |
dc.description | The Persian verses are written in Nastaliq characters as a specimen of calligraphy. Sar-i-Lauh (head side of the Qita) has an artistic beauty and the margins are decorated with two colourful panels on both sides each having one hemstitch. |
dc.format.extent | 1 folio |
dc.format.mimetype | image/jpg |
dc.language.iso | Persian |
dc.publisher | National Museum, New Delhi |
dc.subject | Manuscript Calligraphy |
dc.type | Manuscript |
dc.identifier.accessionnumber | 57.88/7 |
dc.format.medium | image |
dc.format.material | Ink, Paper |
dc.contributor.translator | Mohd. Murad |