Government of India
अ कपल अमंग रॉक्स
Keywords: ग्राफ़िक प्रिंट
प्रिंट
Publisher: राष्ट्रीय आधुनिक कला संग्रहालय, नई दिल्ली
Description: ‘अ कपल अमंग रॉक्स’ के शीर्षक वाली यह ग्राफ़िक प्रिंट जया अप्पास्वामी द्वारा बनाई गई है। प्रकृति के विभिन्न रूपों में समान भाव को दर्शाते हुए उन्होंने मानव आकृतियों को अपने भूदृश्यों में समेकित रूप से एकीकृत किया है। उनके तैल चित्रों में रूप की घनता और आधुनिकतावादी शैली में व्यक्त समृद्ध, विशद रंगों की विशेषता होती है।
Type: प्रिंट
Received From: राष्ट्रीय आधुनिक कला संग्रहालय, नई दिल्ली
| DC Field | Value |
| dc.contributor | Appaswamy, Jaya |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2020-10-26T16:04:11Z |
| dc.date.available | 2020-10-26T16:04:11Z |
| dc.description | ‘अ कपल अमंग रॉक्स’ के शीर्षक वाली यह ग्राफ़िक प्रिंट जया अप्पास्वामी द्वारा बनाई गई है। प्रकृति के विभिन्न रूपों में समान भाव को दर्शाते हुए उन्होंने मानव आकृतियों को अपने भूदृश्यों में समेकित रूप से एकीकृत किया है। उनके तैल चित्रों में रूप की घनता और आधुनिकतावादी शैली में व्यक्त समृद्ध, विशद रंगों की विशेषता होती है। |
| dc.description.sponsorship | Jaya Appasamy (1917-1989) did her graduation from Madras, and a Diploma in Fine Arts from Kala Bhavan, Santiniketan in the 1930s. She was a serious student of painting and went to China where she applied herself to learn the Chinese style painting. She then did her Masters in the History of Art in the United States. Back in India, she joined the Delhi Polytechnic and began to write in 'The Hindu' as an art critic. She never gave up writing thereafter, neither did she stop painting. After the Delhi College of Art, she joined the Lalit Kala Akademi as its Editor and served this post with great distinction until she retired. While at the Akademi, she was awarded a fellowship by the Indian Institute of Advanced Studies, during which she wrote the first well documented treatise on the paintings of Abanindranath Tagore and the art of his times. This was followed by a book on contemporary sculpture and another on Indian glass paintings. Appasamy wrote extensively on modern and contemporary art practices in India and was an avid collector too. She wanted to build a collector's museum, which finally took shape in the form of the Rasaja Foundation in the last few years of her life. A part of the foundation's collection is now housed at the NGMA Delhi. |
| dc.format.extent | 34.5 X 21 cm |
| dc.format.mimetype | image/jpg |
| dc.publisher | राष्ट्रीय आधुनिक कला संग्रहालय, नई दिल्ली |
| dc.subject | ग्राफ़िक प्रिंट प्रिंट |
| dc.type | प्रिंट |
| dc.identifier.accessionnumber | ngma-14949 |
| dc.format.medium | image |
| dc.format.material | Graphic Print, Paper |
| DC Field | Value |
| dc.contributor | Appaswamy, Jaya |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2020-10-26T16:04:11Z |
| dc.date.available | 2020-10-26T16:04:11Z |
| dc.description | ‘अ कपल अमंग रॉक्स’ के शीर्षक वाली यह ग्राफ़िक प्रिंट जया अप्पास्वामी द्वारा बनाई गई है। प्रकृति के विभिन्न रूपों में समान भाव को दर्शाते हुए उन्होंने मानव आकृतियों को अपने भूदृश्यों में समेकित रूप से एकीकृत किया है। उनके तैल चित्रों में रूप की घनता और आधुनिकतावादी शैली में व्यक्त समृद्ध, विशद रंगों की विशेषता होती है। |
| dc.description.sponsorship | Jaya Appasamy (1917-1989) did her graduation from Madras, and a Diploma in Fine Arts from Kala Bhavan, Santiniketan in the 1930s. She was a serious student of painting and went to China where she applied herself to learn the Chinese style painting. She then did her Masters in the History of Art in the United States. Back in India, she joined the Delhi Polytechnic and began to write in 'The Hindu' as an art critic. She never gave up writing thereafter, neither did she stop painting. After the Delhi College of Art, she joined the Lalit Kala Akademi as its Editor and served this post with great distinction until she retired. While at the Akademi, she was awarded a fellowship by the Indian Institute of Advanced Studies, during which she wrote the first well documented treatise on the paintings of Abanindranath Tagore and the art of his times. This was followed by a book on contemporary sculpture and another on Indian glass paintings. Appasamy wrote extensively on modern and contemporary art practices in India and was an avid collector too. She wanted to build a collector's museum, which finally took shape in the form of the Rasaja Foundation in the last few years of her life. A part of the foundation's collection is now housed at the NGMA Delhi. |
| dc.format.extent | 34.5 X 21 cm |
| dc.format.mimetype | image/jpg |
| dc.publisher | राष्ट्रीय आधुनिक कला संग्रहालय, नई दिल्ली |
| dc.subject | ग्राफ़िक प्रिंट प्रिंट |
| dc.type | प्रिंट |
| dc.identifier.accessionnumber | ngma-14949 |
| dc.format.medium | image |
| dc.format.material | Graphic Print, Paper |
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