Government of India
A Sketch from Album No 71
Keywords: Sketch
Artwork
Publisher: National Gallery of Modern Art, New Delhi
Description: Nandalal preferred drawing from life, often sketching outdoors with the subject being life, nature studies, landscapes, figure drawings, animals. Often the sketches were small in scale although invigorating with the rich detailing of the artist's observations, experiences, and sojourns to various places. In this pen and ink drawing, the artist has represented a night watchman on his night vigil holding a staff in one hand and a light torch in the other as he blows into his whistles. The night scene is also suggested by the starry night with a crescent moon and a man sleeping as visible through his window at some distance. R. Siva Kumar in the book, 'Rhythms of India: The Art of Nandalal Bose' writes, "Despite specificities of location, not all of his drawings were done on location. Nandalal used drawing as a part of his pedagogic method, as a technique to awaken students' impulses to explore experiential realities, but at the same time, he insisted that they do both studies from nature and drawings from memory. The inscription in this image reads 'Bahadur' along with two dates in Bengali at the left bottom corner of the painting which are - '24.4.51' and '1.1.68'.
Type: Sketch
Received From: National Gallery Of Modern Art, New Delhi
| DC Field | Value |
| dc.creator | Bose, Nandalal (1882-1966) |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2020-10-08T11:25:12Z |
| dc.date.available | 2020-10-08T11:25:12Z |
| dc.description | Nandalal preferred drawing from life, often sketching outdoors with the subject being life, nature studies, landscapes, figure drawings, animals. Often the sketches were small in scale although invigorating with the rich detailing of the artist's observations, experiences, and sojourns to various places. In this pen and ink drawing, the artist has represented a night watchman on his night vigil holding a staff in one hand and a light torch in the other as he blows into his whistles. The night scene is also suggested by the starry night with a crescent moon and a man sleeping as visible through his window at some distance. R. Siva Kumar in the book, 'Rhythms of India: The Art of Nandalal Bose' writes, "Despite specificities of location, not all of his drawings were done on location. Nandalal used drawing as a part of his pedagogic method, as a technique to awaken students' impulses to explore experiential realities, but at the same time, he insisted that they do both studies from nature and drawings from memory. The inscription in this image reads 'Bahadur' along with two dates in Bengali at the left bottom corner of the painting which are - '24.4.51' and '1.1.68'. |
| dc.description.statementofresponsibility | Nandalal Bose, popularly known as the Master Moshai, was born on December 3rd, 1882 in Kharagpur, Monghyr District, Bihar. A disciple of Abanindranath Tagore, he graduated from the Government School of Art, Calcutta in 1910. Nandalal was fascinated by the potential of folk art and indigenous modes of expression and inculcated them in his works although stylising them in a unique representation for depiction and narration of local life. His explorative temperament with artistic materials allowed him to create a vast body of work with printmaking techniques such as lithography, linoleum prints and Sino-Japanese techniques while remaining faithful to his narrative subject: India's environment and its ethos. Nandalal Bose's art conjures newness unbound, yet it is flushed with the memories of yesterday. Inspired by Far Eastern sensibilities that celebrate the traditional, the genius of his art lies in the interplay of sensual silhouettes and his powerful rendering of contemporary themes with the traditions, customs and sensibilities of Indian heritage. It is this intermingling that invigorates his works and captures the minds of his viewers. He began his artistic career in the fervour of the Swadeshi movement, rejecting western colonial norms of art and taking inspiration from the ancient murals of Ajanta and Bagh caves as well as Mughal miniatures. In 1919, Nandalal Bose accepted Rabindranath Tagore's invitation to become the Principal of the newly established art school Kala Bhavan at Visvabharati University in Santiniketan. He travelled in and out of India including places like Burma, China, Japan, Malaysia, Java and Sri Lanka seeking artistic stimulus from observing different cultural traditions. He also painted a series of posters for the Indian National Congress at Haripura in February 1938. The range of Nandalal's artistic expression is seen in his various landscapes with human figures, his varied images of nature and the Santiniketan Murals. His works reflect the changing landscape, portraying people and places at a time when modern India's cultural development was at its threshold. Nandalal Bose died on April 16th, 1966 in Santiniketan, West Bengal. He won several accolades including the Padma Vibhushan by the President of India in 1953. He was awarded an honorary Doctorate in Letters (D. Litt.) from Banaras Hindu University in 1950 and Calcutta University in 1957. The NGMA has over 6800 of his works in its collection. |
| dc.format.extent | 8.8 X 13.8 cm |
| dc.format.mimetype | image/jpg |
| dc.publisher | National Gallery of Modern Art, New Delhi |
| dc.subject | Sketch Artwork |
| dc.type | Sketch |
| dc.identifier.accessionnumber | ngma-08850 |
| dc.format.medium | image |
| dc.format.material | Pen, Ink, Postcard |
| DC Field | Value |
| dc.creator | Bose, Nandalal (1882-1966) |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2020-10-08T11:25:12Z |
| dc.date.available | 2020-10-08T11:25:12Z |
| dc.description | Nandalal preferred drawing from life, often sketching outdoors with the subject being life, nature studies, landscapes, figure drawings, animals. Often the sketches were small in scale although invigorating with the rich detailing of the artist's observations, experiences, and sojourns to various places. In this pen and ink drawing, the artist has represented a night watchman on his night vigil holding a staff in one hand and a light torch in the other as he blows into his whistles. The night scene is also suggested by the starry night with a crescent moon and a man sleeping as visible through his window at some distance. R. Siva Kumar in the book, 'Rhythms of India: The Art of Nandalal Bose' writes, "Despite specificities of location, not all of his drawings were done on location. Nandalal used drawing as a part of his pedagogic method, as a technique to awaken students' impulses to explore experiential realities, but at the same time, he insisted that they do both studies from nature and drawings from memory. The inscription in this image reads 'Bahadur' along with two dates in Bengali at the left bottom corner of the painting which are - '24.4.51' and '1.1.68'. |
| dc.description.sponsorship | Nandalal Bose, popularly known as the Master Moshai, was born on December 3rd, 1882 in Kharagpur, Monghyr District, Bihar. A disciple of Abanindranath Tagore, he graduated from the Government School of Art, Calcutta in 1910. Nandalal was fascinated by the potential of folk art and indigenous modes of expression and inculcated them in his works although stylising them in a unique representation for depiction and narration of local life. His explorative temperament with artistic materials allowed him to create a vast body of work with printmaking techniques such as lithography, linoleum prints and Sino-Japanese techniques while remaining faithful to his narrative subject: India's environment and its ethos. Nandalal Bose's art conjures newness unbound, yet it is flushed with the memories of yesterday. Inspired by Far Eastern sensibilities that celebrate the traditional, the genius of his art lies in the interplay of sensual silhouettes and his powerful rendering of contemporary themes with the traditions, customs and sensibilities of Indian heritage. It is this intermingling that invigorates his works and captures the minds of his viewers. He began his artistic career in the fervour of the Swadeshi movement, rejecting western colonial norms of art and taking inspiration from the ancient murals of Ajanta and Bagh caves as well as Mughal miniatures. In 1919, Nandalal Bose accepted Rabindranath Tagore's invitation to become the Principal of the newly established art school Kala Bhavan at Visvabharati University in Santiniketan. He travelled in and out of India including places like Burma, China, Japan, Malaysia, Java and Sri Lanka seeking artistic stimulus from observing different cultural traditions. He also painted a series of posters for the Indian National Congress at Haripura in February 1938. The range of Nandalal's artistic expression is seen in his various landscapes with human figures, his varied images of nature and the Santiniketan Murals. His works reflect the changing landscape, portraying people and places at a time when modern India's cultural development was at its threshold. Nandalal Bose died on April 16th, 1966 in Santiniketan, West Bengal. He won several accolades including the Padma Vibhushan by the President of India in 1953. He was awarded an honorary Doctorate in Letters (D. Litt.) from Banaras Hindu University in 1950 and Calcutta University in 1957. The NGMA has over 6800 of his works in its collection. |
| dc.format.extent | 8.8 X 13.8 cm |
| dc.format.mimetype | image/jpg |
| dc.publisher | National Gallery of Modern Art, New Delhi |
| dc.subject | Sketch Artwork |
| dc.type | Sketch |
| dc.identifier.accessionnumber | ngma-08850 |
| dc.format.medium | image |
| dc.format.material | Pen, Ink, Postcard |
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