The Parsi theatre; its origins and development: III
Author: Gupt, Somnath
Keywords: Parsi theatre
Theatre
Issue Date: 2001
Publisher: Sangeet Natak Akademi, New Delhi
Description: Present article is about the Parsi theatre and costumes, lightening and music used in parsi theatre. Today, certainly, the Indian theatre is searching for its identity anew. But the Parsi theatre cannot be neglected in molding either the present or future of theatre. The Parsi theatre was experimental theatre of a sort. Its experiments are visible in the dramas of its time. Let us hope that our theatre directors and patrons do not forget the past in the search for the new theatre.
Description: translated from the Hindi by Kathryn Hansen
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
DC Field | Value |
dc.contributor.author | Gupt, Somnath |
dc.date.accessioned | 2017-07-11T00:17:38Z |
dc.date.available | 2017-07-11T00:17:38Z |
dc.description | translated from the Hindi by Kathryn Hansen |
dc.date.issued | 2001 |
dc.description.abstract | Present article is about the Parsi theatre and costumes, lightening and music used in parsi theatre. Today, certainly, the Indian theatre is searching for its identity anew. But the Parsi theatre cannot be neglected in molding either the present or future of theatre. The Parsi theatre was experimental theatre of a sort. Its experiments are visible in the dramas of its time. Let us hope that our theatre directors and patrons do not forget the past in the search for the new theatre. |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 22-38 p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Parsi theatre Theatre |
dc.type | Article |
dc.identifier.issuenumber | 3-4 |
dc.identifier.volumenumber | 36 |
dc.format.medium | text |
dc.contributor.translator | Hansen, Kathryn |
DC Field | Value |
dc.contributor.author | Gupt, Somnath |
dc.date.accessioned | 2017-07-11T00:17:38Z |
dc.date.available | 2017-07-11T00:17:38Z |
dc.description | translated from the Hindi by Kathryn Hansen |
dc.date.issued | 2001 |
dc.description.abstract | Present article is about the Parsi theatre and costumes, lightening and music used in parsi theatre. Today, certainly, the Indian theatre is searching for its identity anew. But the Parsi theatre cannot be neglected in molding either the present or future of theatre. The Parsi theatre was experimental theatre of a sort. Its experiments are visible in the dramas of its time. Let us hope that our theatre directors and patrons do not forget the past in the search for the new theatre. |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 22-38 p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Parsi theatre Theatre |
dc.type | Article |
dc.identifier.issuenumber | 3-4 |
dc.identifier.volumenumber | 36 |
dc.format.medium | text |
dc.contributor.translator | Hansen, Kathryn |