Government of IndiaThe plays of Tagore
Author: Ray, Lila
Keywords: Bengali literature
Tagore, Rabindranath, 1861-1941
Issue Date: 2004
Publisher: Sangeet Natak Akademi, New Delhi
Description: This paper discussion based on the significance work of Rabindra Nath Tagore. His work likely to be accepted as a model by future Indian dramatists. All the implications of his symbolism and his subject-matter are still very far from being understood. Few of his serious works have been taken up by the professional theatre Imitation, in the circumstances, will be difficult and dangerous. Tagore is first and last a poet, and all his drama is poetic drama. And he is also a mystic. This gives his work an elusiveness and a delicacy that is inimitable. He strives, as he says in the passage quoted at the head of this paper, to make the invisible visible, to reveal the infinite in the finite.
Source: S
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Ray, Lila |
| dc.coverage.spatial | West Bengal |
| dc.date.accessioned | 2017-07-11T04:00:50Z |
| dc.date.available | 2017-07-11T04:00:50Z |
| dc.date.issued | 2004 |
| dc.description.abstract | This paper discussion based on the significance work of Rabindra Nath Tagore. His work likely to be accepted as a model by future Indian dramatists. All the implications of his symbolism and his subject-matter are still very far from being understood. Few of his serious works have been taken up by the professional theatre Imitation, in the circumstances, will be difficult and dangerous. Tagore is first and last a poet, and all his drama is poetic drama. And he is also a mystic. This gives his work an elusiveness and a delicacy that is inimitable. He strives, as he says in the passage quoted at the head of this paper, to make the invisible visible, to reveal the infinite in the finite. |
| dc.source | S |
| dc.format.extent | 69-77 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Bengali literature Tagore, Rabindranath, 1861-1941 |
| dc.type | Article |
| dc.identifier.issuenumber | 2 |
| dc.identifier.volumenumber | 38 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Ray, Lila |
| dc.coverage.spatial | West Bengal |
| dc.date.accessioned | 2017-07-11T04:00:50Z |
| dc.date.available | 2017-07-11T04:00:50Z |
| dc.date.issued | 2004 |
| dc.description.abstract | This paper discussion based on the significance work of Rabindra Nath Tagore. His work likely to be accepted as a model by future Indian dramatists. All the implications of his symbolism and his subject-matter are still very far from being understood. Few of his serious works have been taken up by the professional theatre Imitation, in the circumstances, will be difficult and dangerous. Tagore is first and last a poet, and all his drama is poetic drama. And he is also a mystic. This gives his work an elusiveness and a delicacy that is inimitable. He strives, as he says in the passage quoted at the head of this paper, to make the invisible visible, to reveal the infinite in the finite. |
| dc.source | S |
| dc.format.extent | 69-77 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Bengali literature Tagore, Rabindranath, 1861-1941 |
| dc.type | Article |
| dc.identifier.issuenumber | 2 |
| dc.identifier.volumenumber | 38 |
| dc.format.medium | text |
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