The tradition of Hindu theatre criticism: an overview
Author: Agrawal, Pratibha
Keywords: Dramatic criticism
Criticism
Theater criticism
Issue Date: 1995
Publisher: Sangeet Natak Akademi, New Delhi
Description: This paper divided into three sections which provides the historical and modern perspective of Theatre criticism which is responding to and evaluating the play's script. As production (involving stage design, lighting, costumes, makeup, sound and music, etc.) and in terms of audience reaction. The three essential ingredients of the theatre experience as a whole. Begins only after the work is done; and develops over a period of time with the development of theatre in a particular region or culture. A particular tradition of theatre criticism evolves with the objects or experience that it evaluates.and acquires and defines its concepts and positions in the process.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
DC Field | Value |
dc.contributor.author | Agrawal, Pratibha |
dc.coverage.spatial | India |
dc.date.accessioned | 2017-07-10T21:19:22Z |
dc.date.available | 2017-07-10T21:19:22Z |
dc.date.issued | 1995 |
dc.description.abstract | This paper divided into three sections which provides the historical and modern perspective of Theatre criticism which is responding to and evaluating the play's script. As production (involving stage design, lighting, costumes, makeup, sound and music, etc.) and in terms of audience reaction. The three essential ingredients of the theatre experience as a whole. Begins only after the work is done; and develops over a period of time with the development of theatre in a particular region or culture. A particular tradition of theatre criticism evolves with the objects or experience that it evaluates.and acquires and defines its concepts and positions in the process. |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 03-25 p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Dramatic criticism Criticism Theater criticism |
dc.type | Article |
dc.identifier.issuenumber | 115-116 |
dc.format.medium | text |
DC Field | Value |
dc.contributor.author | Agrawal, Pratibha |
dc.coverage.spatial | India |
dc.date.accessioned | 2017-07-10T21:19:22Z |
dc.date.available | 2017-07-10T21:19:22Z |
dc.date.issued | 1995 |
dc.description.abstract | This paper divided into three sections which provides the historical and modern perspective of Theatre criticism which is responding to and evaluating the play's script. As production (involving stage design, lighting, costumes, makeup, sound and music, etc.) and in terms of audience reaction. The three essential ingredients of the theatre experience as a whole. Begins only after the work is done; and develops over a period of time with the development of theatre in a particular region or culture. A particular tradition of theatre criticism evolves with the objects or experience that it evaluates.and acquires and defines its concepts and positions in the process. |
dc.source | Sangeet Natak Akademi |
dc.format.extent | 03-25 p. |
dc.format.mimetype | application/pdf |
dc.language.iso | en |
dc.publisher | Sangeet Natak Akademi, New Delhi |
dc.subject | Dramatic criticism Criticism Theater criticism |
dc.type | Article |
dc.identifier.issuenumber | 115-116 |
dc.format.medium | text |