Government of IndiaThe tradition of non-classical dance practices in Maharashtra
Author: Paranjape, Ashokji
Keywords: Dance
Maharashtra
Issue Date: 1990
Publisher: Sangeet Natak Akademi, New Delhi
Description: Art and culture of any area has closely related with the geographical status of the land and the different historical influences. Maharashtra was invaded by the Shakas, Hunas and Mughals who brought in chaos and upheavals. It also experienced benevolent rule by Vijayanagara, Kadamba and the local Maratha rulers who encouraged the local artistic traditions which included dances which were by and large non-classical but enjoyed long-established traditions. For present study Deccan becomes the focal point. The culture that is called Marathi culture flourished in this region along the banks of the rivers Godavari, Tapi, Bhima, and Krishna.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Paranjape, Ashokji |
| dc.coverage.spatial | Maharashtra |
| dc.date.accessioned | 2017-07-05T22:07:23Z |
| dc.date.available | 2017-07-05T22:07:23Z |
| dc.date.issued | 1990 |
| dc.description.abstract | Art and culture of any area has closely related with the geographical status of the land and the different historical influences. Maharashtra was invaded by the Shakas, Hunas and Mughals who brought in chaos and upheavals. It also experienced benevolent rule by Vijayanagara, Kadamba and the local Maratha rulers who encouraged the local artistic traditions which included dances which were by and large non-classical but enjoyed long-established traditions. For present study Deccan becomes the focal point. The culture that is called Marathi culture flourished in this region along the banks of the rivers Godavari, Tapi, Bhima, and Krishna. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 63-68 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Dance Maharashtra |
| dc.type | Article |
| dc.identifier.issuenumber | 97 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Paranjape, Ashokji |
| dc.coverage.spatial | Maharashtra |
| dc.date.accessioned | 2017-07-05T22:07:23Z |
| dc.date.available | 2017-07-05T22:07:23Z |
| dc.date.issued | 1990 |
| dc.description.abstract | Art and culture of any area has closely related with the geographical status of the land and the different historical influences. Maharashtra was invaded by the Shakas, Hunas and Mughals who brought in chaos and upheavals. It also experienced benevolent rule by Vijayanagara, Kadamba and the local Maratha rulers who encouraged the local artistic traditions which included dances which were by and large non-classical but enjoyed long-established traditions. For present study Deccan becomes the focal point. The culture that is called Marathi culture flourished in this region along the banks of the rivers Godavari, Tapi, Bhima, and Krishna. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 63-68 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Dance Maharashtra |
| dc.type | Article |
| dc.identifier.issuenumber | 97 |
| dc.format.medium | text |
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