Government of IndiaZeami
Author: Ishii, Tatsuro
Keywords: Zeami, 1363-1443
Dramatists, Japanese
Japanese dramatists
Issue Date: 1980
Publisher: Sangeet Natak Akademi, New Delhi
Description: This article deals with some important concepts of acting and actor training put forth in the essays written later than Kadensho, in the perspective of their relationships with corresponding ideas in Kadensho. Zeami wants a performance which is always accompanied by human intention and consciousness which nevertheless goes beyond boundaries of human intention and consciousness and comes closer to accord with the perfect order of nature by means of lifelong training and discipline.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Ishii, Tatsuro |
| dc.date.accessioned | 2017-06-21T09:04:16Z |
| dc.date.available | 2017-06-21T09:04:16Z |
| dc.date.issued | 1980 |
| dc.description.abstract | This article deals with some important concepts of acting and actor training put forth in the essays written later than Kadensho, in the perspective of their relationships with corresponding ideas in Kadensho. Zeami wants a performance which is always accompanied by human intention and consciousness which nevertheless goes beyond boundaries of human intention and consciousness and comes closer to accord with the perfect order of nature by means of lifelong training and discipline. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 5-19 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Zeami, 1363-1443 Dramatists, Japanese Japanese dramatists |
| dc.type | Article |
| dc.identifier.issuenumber | 58 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Ishii, Tatsuro |
| dc.date.accessioned | 2017-06-21T09:04:16Z |
| dc.date.available | 2017-06-21T09:04:16Z |
| dc.date.issued | 1980 |
| dc.description.abstract | This article deals with some important concepts of acting and actor training put forth in the essays written later than Kadensho, in the perspective of their relationships with corresponding ideas in Kadensho. Zeami wants a performance which is always accompanied by human intention and consciousness which nevertheless goes beyond boundaries of human intention and consciousness and comes closer to accord with the perfect order of nature by means of lifelong training and discipline. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 5-19 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Zeami, 1363-1443 Dramatists, Japanese Japanese dramatists |
| dc.type | Article |
| dc.identifier.issuenumber | 58 |
| dc.format.medium | text |
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