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Reports and Proceedings


The devadasi in the socio-religious context

No.097 [July-September 1990]

Sangeet Natak Akademi

215

The devadasi of Tamil Nadu: a study

No.097 [July-September 1990]

Sangeet Natak Akademi

2,222

The devadasi tradition in Orissa

No.097 [July-September 1990]

Sangeet Natak Akademi

1,861

The development of chordophones in India

No.044 [April-June 1977]

Sangeet Natak Akademi

59

The divine actor: personal reminiscences

No.029 [July-September 1973]

Sangeet Natak Akademi

42

The dominant rasa: an interview with Ammannur Madhava Chakyar

No.120 [April-June 1996]

Sangeet Natak Akademi

20

The drum beat in Santhal culture

No.039 [January-March 1976]

Sangeet Natak Akademi

84

The dying art of telling a story

Vol.39, No. 4 [October-December 2005]

Sangeet Natak Akademi

282

The effect of melodic symmetry on need for resolution ratings for musical intervals

No.045 [July-September 1977]

Sangeet Natak Akademi

6

The Elitist, the Commercial, and the Popular in Indian Theatre: A Voice from the Margins

No.137-138 [July-December 2000]

Sangeet Natak Akademi

107

The End of an Era: The Life of Guru Amubi Singh

No.029 [July-September 1973]

Sangeet Natak Akademi

973

The English stage in Calcutta, Circa 1750: the old playhouse: the new playhouse or Calcutta

No.088 [April-June 1988]

Sangeet Natak Akademi

206

The evolution of rasas in Indian literature

No.075 [January- March 1985]

Sangeet Natak Akademi

34

The female impersonator in traditional Indian theatre

No.045 [July-September 1977]

Sangeet Natak Akademi

226

The folk music of Bengal

No.02 [October 1954]

Sangeet Natak Akademi

169

The Ganika in Buddhist and Jaina literature

No.097 [July-September 1990]

Sangeet Natak Akademi

6,541
 
 

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