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Studies on Indian musical scales: part-II: on the degree of relatedness of ragas and application to 72 melas

Author: Srinivasan, R.

Keywords: Musical intervals and scales
Music theory

Issue Date: 1980

Publisher: Sangeet Natak Akademi, New Delhi

Description: In this paper we extend the concept developed in Part I to answer a question such as the following. Given two ragas A & B can one quantify the degree of relatedness (or conversely the degree of difference) between them? We shall first consider in this paper only the melakartha ragas, although the concept introduced can be extended mutatis mutandis to any two scales not necessarily of the sampurna melakartha types.

Source: Sangeet Natak Akademi

Type: Article

Received From: Sangeet Natak Akademi


DC Field Value
dc.contributor.author Srinivasan, R.
dc.date.accessioned 2017-06-21T09:10:38Z
dc.date.available 2017-06-21T09:10:38Z
dc.date.issued 1980
dc.description.abstract In this paper we extend the concept developed in Part I to answer a question such as the following. Given two ragas A & B can one quantify the degree of relatedness (or conversely the degree of difference) between them? We shall first consider in this paper only the melakartha ragas, although the concept introduced can be extended mutatis mutandis to any two scales not necessarily of the sampurna melakartha types.
dc.source Sangeet Natak Akademi
dc.format.extent 27-38 p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Musical intervals and scales
Music theory
dc.type Article
dc.identifier.issuenumber 58
dc.format.medium text
DC Field Value
dc.contributor.author Srinivasan, R.
dc.date.accessioned 2017-06-21T09:10:38Z
dc.date.available 2017-06-21T09:10:38Z
dc.date.issued 1980
dc.description.abstract In this paper we extend the concept developed in Part I to answer a question such as the following. Given two ragas A & B can one quantify the degree of relatedness (or conversely the degree of difference) between them? We shall first consider in this paper only the melakartha ragas, although the concept introduced can be extended mutatis mutandis to any two scales not necessarily of the sampurna melakartha types.
dc.source Sangeet Natak Akademi
dc.format.extent 27-38 p.
dc.format.mimetype application/pdf
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Musical intervals and scales
Music theory
dc.type Article
dc.identifier.issuenumber 58
dc.format.medium text